Theatre
- Acting Theory and the English Stage, 1700-1830
- Bram Stoker and the Stage
- The Celebrated Hannah Cowley
- The Collected Letters of Ellen Terry
- The Complete Plays of Frances Burney
- The Diaries of Elizabeth Inchbald
- Eighteenth-Century Coffee-House Culture
- Eighteenth-Century Women Playwrights
- Elizabeth Inchbald's Reputation
- Ellen Terry, Spheres of Influence
- English Catholicism, 1680-1830
- English Catholics and the Education of the Poor, 1847–1902
- English Convents in Exile, 1600–1800
- The English Deists
- English Nonconformist Poetry, 1660–1700
- English Witchcraft 1560-1736
- Enlightenment and Modernity
- Experimentation on the English Stage, 1695-1708
- The Gothic Novel and the Stage
- Gwen Ffrangcon-Davies, Twentieth-Century Actress
- Harlequin Empire
- Interpreting Sexual Violence, 1660–1800
- Joanna Baillie
- Lives of Shakespearian Actors, Part I
- Lives of Shakespearian Actors, Part II
- Lives of Shakespearian Actors, Part III
- Lives of Shakespearian Actors, Part IV
- Lives of Shakespearian Actors, Part V
- London Opera Observed, 1711–1844
- Mary Robinson and the Genesis of Romanticism
- The Novels and Selected Plays of Thomas Holcroft
- The Plays and Poetry of Nicholas Rowe
- The Plays of William Godwin
- A Political Biography of Eliza Haywood
- The Public Lives of Charlotte and Marie Stopes
- Samuel Coleridge-Taylor, a Musical Life
- The Selected Works of Delarivier Manley
- Selected Works of Eliza Haywood
- The Theatre of Empire
- William Godwin and the Theatre