Book History
- Ann Yearsley and Hannah More, Patronage and Poetry
- Art and Commerce in the British Short Story, 1880–1950
- Blackwood's Magazine, 1817-25
- Brewing Science, Technology and Print, 1700–1880
- British and American Letter Manuals, 1680 - 1810
- The Business of the Novel
- Censorship and the Press, 1580-1720
- Charles Lamb, Elia and the London Magazine
- Communicating Physics
- Conservatism and the Quarterly Review
- Continuations to Sidney's Arcadia, 1607–1867
- Contributors to the Quarterly Review
- The Correspondence and Journals of the Thackeray Family
- Credibility in Elizabethan and Early Stuart Military News
- A Critical Bibliography of Adam Smith
- A Critical Bibliography of Daniel Defoe
- The Critical Review or Annals of Literature, 1756-1763
- Defoe's Review 1704-13
- Dialogue, Didacticism and the Genres of Dispute
- Early Biographies of Isaac Newton, 1660-1885
- The Edinburgh Review in the Literary Culture of Romantic Britain
- Eighteenth-Century British Erotica
- Elizabeth Inchbald's Reputation
- The Examiner
- Fashioning the Silver Fork Novel
- Fictions of Dissent
- The Grub Street Journal, 1730-33
- The History of the Book 1–10
- The Journals and Diaries of E M Forster
- Middle-Class Writing in Late Medieval London
- Monstrous Births and Visual Culture in Sixteenth-Century Germany
- The New Foundling Hospital for Wit, 1768-1773
- A Political Biography of Joseph Addison
- A Political Biography of Richard Steele
- A Political Biography of Samuel Johnson
- The Popular Radical Press in Britain, 1811-1821
- Possession, Puritanism and Print
- The Public Face of Wilkie Collins
- Reading in History
- Readings on Audience and Textual Materiality
- Recreating Newton
- The "Retrospective Review"
- Romantic Marginality
- Romantic Women Writers Reviewed
- Selling Cromwell's Wars
- Socialism and Print Culture in America, 1897–1920
- Teaching Bibliography, Textual Criticism, and Book History
- Transoceanic Radical: William Duane
- Visions of an Unseen World
- Wilkie Collins's American Tour, 1873-4
- William Blake and the Art of Engraving
- Women's University Fiction, 1880–1945
- Wordsworth's Poetic Collections, Supplementary Writing and Parodic Reception
- Writing the Self