
Theatre & Performance Studies
Major works
- Acting Theory and the English Stage, 1700–1830
- Bawdy Songbooks of the Romantic Period
- Bram Stoker and the Stage: Reviews, Reminiscences, Essays and Fiction
- The Collected Letters of Ellen Terry
- The Complete Plays of Frances Burney
- The Diaries of Elizabeth Inchbald
- Eighteenth-Century Women Playwrights
- Joanna Baillie: A Selection of Poems and Plays
- Lives of Shakespearian Actors, Part I: David Garrick, Charles Macklin and Margaret Woffington by their Contemporaries
- Lives of Shakespearian Actors, Part II: Edmund Kean, Sarah Siddons and Harriet Smithson by their Contemporaries
- Lives of Shakespearian Actors, Part III: Charles Kean, Samuel Phelps and William Charles Macready by their Contemporaries
- Lives of Shakespearian Actors, Part IV: Helen Faucit, Lucia Elizabeth Vestris and Fanny Kemble by their Contemporaries
- Lives of Shakespearian Actors, Part V: Beerbohm Tree, Henry Irving and Ellen Terry by their Contemporaries
- London Opera Observed, 1711–1844
- Narrative of the Life of Charlotte Charke by Charlotte Charke
- The Novels and Selected Plays of Thomas Holcroft
- The Plays of William Godwin
- The Witlings and the Woman Hater
- Women's Theatrical Memoirs
- The Works of Aphra Behn
- The Works of Mr William Shakespear Edited by Nicholas Rowe: With the Poems Edited by Gildon, 1710
Monographs
Series
Return to top
Pickering & Chatto